Book Charms Earrings and Necklace Set

For those of you wondering why I had done the disappearing act, I have been nose-deep in maths equations, computer jargon, grammar and likewise. Phew! just got over with the exam season and I sure am a happy mommy. Browsing through some old pictures on my desktop, I came across this little project I did last year and forgot to share with you. So here goes....

Someone approached me to create a sample set of handmade jewellery featuring tiny book charms. It was meant for members of a book club and the client wanted to have paper as the medium. However, we finally settled on polymer clay as a more sturdy material and I created a pair of danglers and a necklace. Must say it was a fun diversion from my usual line of work.

And polymer clay is such an addictive medium. As one gets used to it, moulding pieces becomes that much easier and you can create innumerable designs with it. Needless to say I am already hooked, and have created a few more neck pieces. Watch this space for a reveal soon!

If you are looking at a book charms jewellery set, do write in to me at creativerumblings@gmail.com and place your order. The set is completely customizable - the beads that you see in the pictures here can be replaced by a colour or size of your liking, and the book covers can be changed to your favourite ones too. These jewellery sets will make ideal gifts for young girls, and can even work as return gifts.

The Making of a Flower Girl

As I shared in an earlier post, I have taken to working on mini paintings and my theme this year is 'Faces and Figures'. Despite having a busy month, I managed to make five of these 10 by 10 (cm) pieces. They are great fun to make - since the process involves multiple layers, and yet it takes me just a day or two from start to finish, as the size is small. So this post presents the story of how my current favourite piece emerged.

I started by pasting a random collage of papers on the base, as seen in picture 1. While pasting the collage pieces, the pink flowers caught my eye. Yes, you know what a sucker for flowers I am! So I decided to retain them in the final painting that emerged out of this chaos of colours. Working around the flowers, I spotted a face, slightly downturned. A hat seemed like the perfect accessory to put on that face.

Picture 2 captures the painting with its basic outlines in place, and the hat, face and hair painted in. I highlighted the pink flowers by adding the white marks and yellow pollen on top. By now I had also spotted the butterfly in the bottom right corner. But the painting wasn't coming together; there was no single train of thought that knit everything.

And then the word 'Freedom' flashed at me.... and it all fell in place (picture 3). I added the stamp mark on the top left, meant to denote the freedom of travel, both literal and metaphorical. The butterfly gained prominence, signifying the freedom from the cocoon phase. The flying birds on the top right completed the picture. Now you know why the girl with the blue hat has a smile on her face! Because she is a free bird....

So, dear readers, what do you think of this process? Creatively, I find it extremely satisfying. You start from zilch, and you end up with not only a mini painting but an interesting story to go with it. Wanna try some?

Nature Journal: Back Cover

This final post under the 'Nature Journal 2015' series is to showcase the back cover of the journal. The back cover appropriately aims to capture forms of nature across different elements - air, land and water. It brings together three diverse microcosms.... read on to see how.

The thought process for the back cover started with the Tree of Life, since it represents different life forms living together harmoniously, and also since it was something I was hoping to try my hand at for a while. However, once I started making the tree, these other ecosystems evolved on their own... as though the artwork for the back cover had suddenly come alive with its own interpretations, that forced me to realize the limited vision of my tree of life. Why present only one ecosystem when I could present three together? And that is how each element got its due representation....

The birds and animals that made the tree their home, thriving on its bounties and the fresh air it produced.

The foliage and flora that got their sustenance from the earth. I could have added more to this section but lack of space made me keep things at a more representational level.

And finally the water-world with its flowers and other creatures. Here I love the turtle silhouette the most.

I am happy with the way the back cover finally turned out - combining multiple techniques of painting, small sketches, some impasto and lots of collaging. That it represents nature in all its forms only makes it perfect for my Nature Journal 2015.

Faces and Figures

We are into the second month of the year already, and I thought I should share one of my personal art goals this year.

'F' is for February, and for 'faces' and 'figures'. So this year I am hoping to work up a sizeable number of random faces and figures. No real life inspiration, no magazine pictures either.... just things that pop off my head when I put together a collage of papers and markings on a piece of cardboard.

Sharing here my first attempt at doing a face. I worked mainly using the techniques of intuitive creation, where you train the mind's eye to "see" images in a chaos of colours and shapes. The inspiration for this face was sparked off by the blue prints (made using vegetable stamps) that looked so much like a pair of shades. Once I sketched that in, the rest of the face followed.

I love how the layers of paper and stamps underneath give the piece a unique sense of depth. This was a fun beginning. Hope I can keep this up through the year and get more comfortable making faces and figures out of thin air!

Nature Journal: Inside Back Cover

Presenting the inside back cover of the nature journal - it is an amalgamation of flowers done using various techniques and stuck together randomly on the page to give the effect of a colourful and wild floral garden.

On the top left corner is this Nasturtium flower created using pen marks on a printed photo.

The middle of the page is covered with monoprinted poppies, using the technique described in my last post. The purple stalk at the left corner of the picture below was inspired by a blossoming stick of verbinas that I once had in my garden.

The bottom left is again a clump of red and black flowers made with sponge prints and sketch pens.



 The red, blue and green paper flower in the picture below was made by my daughter by using sketch pens and markers on wet paper. It faded over time so I added a layer of waterproof inks to brighten it up. The pen drawing at the corner is my interpretation of a sunflower.... or it could be a gazenia too!



Hope you like my wild floral garden on the inside back cover of the nature journal. It makes for a striking contrast to the low-on-colour December page.



Now only the back cover remains to be shared, and the journey of the nature journal shall come to an end.... at least for now. Look out for that final post next month.

Poppies with Printmaking

Finally the grey, foggy days of winter are here sending shivers down the spine. But this winter I won't whine.... the unusually hot December was rather worrisome when you think of what we are doing to our planet. Anyhow, to distract myself from such issues, I decided to try my hand at some monoprints using regular stuff lying around the house.

Using two shades of blue and a contrasting red ink pen to fill in the details, I created a bunch of my favourite poppy flowers. Incidentally, our garden did not get any poppies this year (despite getting loads last year), so this was a fitting way to revisit them.

Believe me, no fancy products are required. All I used were a block-sized piece of synthetic foam, some brushes, acrylic paints and paper to print on. And a cutter or knife to carve the design into the foam block. Don't worry if you don't have those; even a ballpoint pen without ink works wonders! I used such a pen as you can see from the pictures below.

Once the design is carved, paint the stamp with acrylic colours of your choice and voila!.... let the stamping fun begin.

Sounds simple enough? Now try some yourself and send me your pictures. Would love to see how my readers get inspired. :) I also created some red and mustard poppies for the inside back cover of my nature journal. You can look out for those in the next post.

Nature Journal: December Discources

The first official post of the year but it talks of the one big project I started, and successfully completed, all through last year! So proud of this.... As the year drew to a close and the days whizzed by faster than usual, the December page of the Nature Journal proved to be a challenge to complete. First the morning chill made me lazy and I stopped going for my regular walks. Result was very few specimens to show in the journal.

And when I did pick up one of my favourite leaves from the park, I couldn't identify it! I searched high and low for its name, befriended the 'maalis' and asked the gardeners. But it all drew a blank. Then I resorted to good old Google, searching through innumerable sites. Till browsing through endless botanical names and species finally yielded the name - Silver Oak. The tree is native to Australia (wonder how it came to India) and the name is derived from the silver coloured underside of the leaf.

That brings the year-long journey of my Nature Journal to a close. I admit I'll miss filling up more pages with interesting stories on our flora and fauna, and our experiences with them. But then as I just about finished the back cover, so you'll have one more post to enjoy the swan song of the Nature Journal. The next edition of the Nature Journal will get written only when I move locations or after 5 years, whichever is sooner. In the meanwhile, here is hoping some of you will start one of your own and share your journey here!